The Pressure of Being Creative

industry-vintage-old-fabric Sometimes being creative is not all it's cracked up to be. Often if I'm meeting someone new at a party or in line at the police station or at the supermarket the conversation invariably turns to: "What do you do for a living?" My answer: "I write books." If I'm not met with stunned silence (or even confusion) I will often get the next statement: "That must be so much fun!" And it is fun. Creating characters and wrapping stories around those characters has been my dream since I was sixteen. And since the age of thirty I've been living that dream (eighteen years and counting of living off my creativity). So, all things being equal, I have no right to complain.

And yet...  And yet... Yes, there is a pure joy to creating a book. Most of that joy is at the very beginning when you get that first idea for a novel (Something I call ohmygodofchoicethisisanamazingidea euphoria). The joy returns again about a year or two later when you are holding the book in your hands. In-between is the actual process of writing. The endless research. The first draft. The second draft.  The third draft. And fourth. The first public viewing for the editor. The edit letter that appears in a sheet of flame and burns your mistakes into your eyeballs. And so on. That is all part of the grunt work of writing and though it is not always joyful, I do enjoy it (if that makes any sense). I like the challenge.

But the pressure comes from different levels of the creative process. Can I solve this plot problem that I've created in the novel? Can I make this character more realistic? This situation? And those "small" questions lead to larger questions like does the book suck? And, if it doesn't, am I doing anything new with this book? Is it better than my last book? Have I improved as a storyteller? And, finally, will the book be a success?

That last one is important. Obviously you want your book to do the best it can. To find its place. Both in the minds of readers, but also it's great if the book finds a proper financial place. Success also means that it will earn back its advance and make more money so that more writing can be done. Often people get upset when we talk about artists and money as if the idea of cash being paid should never come into the creative equation. But, and this may surprise some people, writers need to eat. To drink. To see the latest Star Wars movie.

There is also the pressure of picking the right idea for the right reasons. I have a multitude of projects that are waiting in my "idea" bin but am constantly asking myself which one will both be pleasing to my creative side and commercial enough to add to the bank balance. Last year I released a graphic novel called Modo: Ember's End. It was a continuation of my The Hunchback Assignments series as a comic book. I chose to use crowdfunding to create the book because I wanted to test how this "new" way of getting ideas to paper worked. And on nearly every level the book was a success. Artistically, I was pleased with the story but especially pleased with Christopher Steininger's artwork (we had been talking about doing a graphic novel together for nearly ten years, so we finally fulfilled that dream). We raised over 20,000 dollars on Kickstarter and Indiegogo and received a $10,000 grant from Creative Saskatchewan. So again, the book was a success financially. Over 1000 copies have been sold around the world (we were/are hoping to find a publisher to do the softcover version, but so far have not been successful). The problem is that by the time all of the expenses were tallied (artwork, printing, shipping) my take of that money was around $4000. My best guesstimate at the time spent on the project is six months (that includes learning how to crowdfund, doing promotion, packaging, writing the script, etc.). Now in six months I can usually write a few drafts of a novel and could, in theory, make about ten times that amount for the book. So did I make the right choice to create the graphic novel? Artistically, yes. But my kid takes piano lessons and gym and...well you get the picture.

I don't have a list of five things to take the pressure off of you creatively (and I don't think pieces like this always need to come down to a fix). These words you've just read are an admission. And commiseration with those experiencing similar pressure in their lives (be it creative or otherwise).

And a chance to let off a little steam. Thanks for that.

Art

 

 

The Canadian Adventure Prize Pack Contest

Canadian Prize Pack final Well, here it is! The Canadian Adventure Prize Pack. Trains! Zombies! Zeppelins! Magicians & Masterminds! My publisher, the honourable HarperCollins Canada, has generously offered this package of books to help promote my nearly famous newsletter. In order to win the amazingly adventurous books just enter here:

a Rafflecopter giveaway But if you want to double your chances of winning then sign up for my newsletter by pressing this magic button (there's also an option on the contest form above).

Click Here. My gluten-free monthly newsletter is titled Arthur Slade's Somewhat Clever Newsletter. It's jammed packed with news, writing tips, humour, and lettuce and bacon. It has everything! And there's also a prize every month (because it's fun to give away things). The prizes range from author Skype visits to books to critiques, to....it's endless. As you can tell I have a lot of fun with it.

FYI:

The adventurous books are Zomboy by Richard Scrimger, Saving Houdini by Michael Redhill, Masterminds by Gordon Kormon, The Boundless by Kenneth Oppel and The Hunchback Assignments by some guy who writes things sometimes.

Have a gloriously adventurous day! Contest closes Oct. 31st, 2015.

And please feel free to use the share buttons below to let the world know about the contest.

See My Editor Tear My Work To Shreds

The Short version:

An author tries not to cry as he reads the "suggested" changes from his editor on the first page of his manuscript.

The Details

This is a page from my soon to be released book, Flickers. It's a novel set in Hollywood during the silent movie era. I've lost track of how many drafts I've done of this book. Let's just put it at more than ten and fewer than two hundred. And yet, there are still mistakes made. Places that can be cleaned up. Prose that can be un-purpled. And that's why we have editors (this post goes hand in hand with my "My Editor Says These Two Words I Use Make Kitties Cry" post).

The Edits

Just click on the image to make it bigger. Click a second time and it will grow even bigger. Click a third time and you'll be able to see the tear stains on the page.

flickersedit

All the best,

Art

Five Reasons To Go On A Writing Retreat

St. Peters The short of it: A cookie stuffed author explains why going on a writing retreat is so very helpful to writing.

The long of it:

Recently, I went on a four-day retreat to St. Peter's Abbey. There were eight other writers participating in this escape from the world (or should I say escape into other worlds?). The abbey is in the middle of the prairie in Saskatchewan (which is in the middlish part of Canada). And there are cookies. Did I mention the cookies? It may seem odd that a full-time writer needs to get away, but sometimes it's necessary. Here are the five reasons why it's important to go on a retreat.

1. Clear Your Cluttered Mind The human brain collects tweets, Facebook posts, and Hollywood star "facts"  like lint. Sometimes you need to shake all of that lint off. Going to a different place allows you to concentrate on That Which Should Be Really Important Right Now: your writing. 2. To Have Someone Else Look After You Napoleon used to say, "an army marches on its stomach." But the truth is writers also write on their stomachs. In other words: we need to eat in order to write. And a retreat centre is there to feed your body. For example: at St. Peter's Abbey the meals are served at 8AM, 12PM & 5:30 PM. You walk down to the dining room, fill your plate, eat & return to your room to write or read more. My only worry was whether or not I might trip on the stairs in my hurry to get to the dining room. Of course, I highly recommend having scintillating talk with your fellow attendees during meal time. It's like dessert for the brain. 3. Get Away From Everything & Everyone Children are lovely. They make noise. Wives and husbands are lovely. They make lists. Lists get in the way of writing. By the time you've cut the lawn and cleaned the bunions you may not have energy to write. At a retreat no one asks you to cut the lawn (unless you're at a lawnmower's retreat). Your brain and your time become your own. 4. Get Something Done The great gift of a retreat is that there are giant big blocks of time to devote to your writing. Time to think slowly. Time to dive right into that project with your brain firing on all six cylinders. One of the advantages of being with a group of writers is it felt as if I had joined a hive of creativity. A quiet one, since there wasn't any noise in the halls other than the occasional tick tick tap of computer keyboards. But I knew they were working. So I wanted to do the same. 5. Get Something Done Did I mention this twice? Yes, it's that important. And getting something "done" doesn't necessarily mean writing 20,000 words in three days. It's more about getting all those proverbial ducks in a row so that when real life comes knocking you are ready to concentrate. I went with two goals in mind: an outline for a project and a head start on a rewrite of a fantasy novel. That uninterrupted time meant that I could figure out that the outline was going nowhere, so I just dove into starting the novel and then took the time to think clearly about my goals for the fantasy novel. The energy I gained from the retreat is carrying me deeper into these projects now that I'm back in real life.

Oh, and did I mention the cookies?

 

Art

A Createspace Experiment--Print on Demand

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I've been curious about Createspace's print on demand book publishing options for some time now (It's just one of the many arms of the Amazon). Since my novel Megiddo's Shadow was out of print in the US, I decided to use it to try out Createspace. It is a relatively easy way to self publish a book. All you need is a word file. They provide a template that I just copied and pasted my novel into (there were a few hours of fussing a fidgeting to get things right, but I expected this).  The actual book cover design system is also very easy to use. They have a variety of covers and styles that you can use. Since the novel is inspired by my grandfather's experiences in WW1, I decided to use his picture. Again this took me at least an hour of fussing--if I had better design skills it probably would have gone faster. And finally I submitted all the files and ordered my proof. It arrived a month later (there was some odd delay and when I informed them that it had been a month Createspace immediately sent new copies of the books to me).

Here's what it looked like when I got the books:

http://www.youtube.com/watch?v=9pfwcmqE9aI

Overall I was quite happy with how the book turned out. The font is perhaps a little small for my ancient eyes, but the whole process cost me less than $30.00 and now people in the US & UK can order physical copies of the books for $8.99. Which means I still make $2.41 for each copy sold. I don't expect to sell many copies, this was just an experiment to see how it worked. I also hope that it will actually help sell more ebook copies of the book because the ePrice looks better by comparison.

Am curious to hear anyone else's experiences with Createspace or other print on demand systems.

Art